Vector is the first chapter in Tectonic Drift, a condition where pressure is allowed to move rather than settle.

The work holds two states at once: atmosphere and compression. A field gathers and settles, then meets a decisive arrival. The boundary is the threshold, where chroma is drawn to set, where edges press into clarity, where time stops being a backdrop and becomes an active agent.

Each release in Tectonic Drift becomes a record of movement, held at the point before it stabilises. Vector is one such chapter. When the timed edition closes, the moment seals.

The work begins with macro photography of pigment and medium under load, observing behaviour under pressure. It then moves through digital and generative iteration, where a second set of rules reforms the image into pattern while magnifying that behaviour. The work lives in the overlap.

The process is one of calibration, allowing pressure to register differently as it passes through these systems. The work is built to be read as behaviour: what persists, what resists, what shifts.